Trinnov Audio - D-MON4 Optimizer

Trinnov Audio D-MON4 Optimizer

Das Ultimative Optimierungstool für Raumakustik und Lautsprecherwiedergabe in 2.0, 2.1 oder 2.2 Anwendungen (2 Speaker, 2 Subwoofer). Kann auch als Frequenzweiche eingesetzt werden und beherrscht Bassmanagement "par Excellence".

Für die Messung wird ein Messmikrofon benötigt. Empfohlen wird das 3D Mikrofon von Trinnov das mit seinem 4 Kapseln optimal mit dem Gerät zusammenarbeitet, sowie eine D-Sub 25polige Kabelpeitsche analog im Tascam-Format.

Das Gerät ist ebenso ein vollwertiger Monitorcontroller inklusive Cue-Mixes, Routing und Kopfhörerausgang.


MUCH MORE THAN JUST ANOTHER MONITORING CONTROLLER

Monitor control could look very simple to many, but when it comes to managing all the various mixing situations that a sound engineer has to face day after day, he has to get as much power and flexibility as possible. Not only does he have to switch from monitoring 7.1 to a stereo mix without any loss of transient, power response or bandwidth, but also to provide musicians with different foldbacks, communicate with them, and/or run a special sub-group into external gear as an insert or connect, in seconds, the producer?s smartphone to share his latest song, and so on?

The D-Mon® Series is specifically designed to combine power, fast-and-easy usage and flexibility.


Trinnov D-mon, the ultimate combination

• The D-Mon Series? In every processor a wold-unique combination of features:
• both Analog and Digital professional inputs and outputs, providing the most pristine sound quality;
• facilities to connect the processor via Ethernet and/or Midi and host almost any protocol to communicate with a large number of other studio equipments;
• a Switching Matrix to route all signals easily and make any patch set in seconds;
• an internal Mixer which can create various sum of stems, main or aux mix, discrete inputs that come in;
• the amazing and world-reknown Optimizer® to make the perfect tuning of the loudpseaker sets to the studio acoustics;
• in option, the SmartMeter® for the most possible efficient Loudness Metering.

THE MULTI-PURPOSE I/O CONNECTOR

Nothing more than the Multi-Purpose Input/Output connector proves how much the D-Mon® is in touch with the real world of professionals.

Midi, Headphones output, Talk-Back input are wired just like the famous Icon control surfaces, allowing to replace an X-Mon® in a complete seamless way;

Time-Code is available as a LTC input when you?re running the SmartMeter® to make a Loudness metering session never more effective than ever;

GPIOs are located there too, so linking to other equipements for synchronizing switches, lights or a simple pedal is immediate and easy.


Features:

• DIGITAL INSERTS (IO) - 8 (4x AES)
• DIGITAL INPUTS (SUBD-25*) - 8 (4x AES)
• DIGITAL OUTPUTS (SUBD-25*) - 8 (4x AES)
• ANALOG INPUTS (SUBD-25*) - 4 Line level
• ANALOG OUTPUTS (SUBD-25*)
• (SUBD-25* & XLR) - 8 Line level / 4 Line level
• OPTIMIZER(R) (ROOM ACOUSTIC TUNING) 4 Channels, i.e. 2 x stereo pairs or LCR+L?
• ASSIGNABLE INTERCOM - 1 Talk-Back Input + 1 Listen-Back Input (phantom power on MPIO)
• WORD CLOCK - BNC Input & Output
• CONTROL PROTOCOLS Eucon (Avid MC5, S6, S5, S3). Icon D-Command & D-Control (X-Mon15p cable) ? Midi.
• Other proprietary protocols under development.
• GPIOS 2 in / 1 out (footswitch, remote commands)
• SOURCE SELECTION - 4 Cues/TB/LB
• MONITOR SELECTION - Upon programmable presets & profiles
• SWITCHING MATRIX (STEREO BUSES) - Any physical input, mix bus or Optimizer® output to any physical output
• SUMMING MATRIX (MONO/STEREO BUSES) 12 in / 8 buses

AUDIO PROCESSING

AUTOMATIC PROCESSING 

• Multi-point acoustic measurement (Trinnov 3D measurement microphone);
• Time/Frequency acoustic analysis based on impulse response measurement;
• Loudspeaker/Room optimization;
• Target Curves.

MANUAL PROCESSING 

• Several layers of 31 bands Graphic EQ, FIR EQ, gains, polarity and delays available for every channel;
• Total delay given in meters/milliseconds/frames for the listening point and adjustable global delay for accurate Lip Sync;
• Front / Surround / Top balance.
• LATENCY Comprehensive Processing latency control.